A Writer’s Life

I’m happy to announce I’ve just passed a small milestone. This post marks my 200th post! About time, eh? While I know it’s not that many posts, considering I wasn’t sure if I would continue blogging that long ago reaching 200 posts is something I’m quite pleased with.

I’ve known the 200 was coming for some time and it seemed like a good time to change my blog as well. I’m now self-hosted. After several experiences on WordPress, I felt it was time for a change; I have less time for blogging and this way I can enjoy writing at my own pace. I’m looking at it as a chance to explore some new ideas, so I hope you enjoy the journey with me.

I wanted to do a special post for my 200th and decided to save the second part of my books project for the occasion. I’m quite happy with how it’s turned out so far. It’s been fun revisiting these books again.

This second part is more about the books that have shaped my philosophy. There’ll be one last part to end the series next week, a profile of the three books that have had the biggest impact on my life. Let me know if you’ve read any of them. I wonder which books have changed your life? 

American Pastoral by Philip Roth
American Pastoral is one of those novels that leaves you reeling. On the surface it’s about two parents whose idyllic life is destroyed when their daughter sets off a bomb to protest the Vietnam War. But beneath that Roth examines the morality of objectivism (Merry becomes a Jain, concerned about murdering germs while oblivious to the deaths she caused) and the bond between fathers and daughters. Swede’s world falls apart and Pastoral left me wondering how far we’ve really come in 40 years. Which is Roth’s point.

The Speaking Land by Ronald and Catherine Berndt
I’ve been interested in Aboriginal mythology since I was young, particularly the stories of The Dreaming and the Rainbow Serpent. Aboriginal culture dates back over 50,000 years and The Speaking Land is the best collection I’ve read; it gives a real sense of the beliefs behind the myths, the reverence Aboriginal people have for the land and the spirit. It showed me an Australia I didn’t know, one I wish more people could see.

God Said, Ha! by Julia Sweeney
God Said, Ha! is remarkable in that it deals with big issues like cancer and death in an honest way and never feels depressing. In the mid 90s Julia Sweeney had just begun to look forward to a new life, but then her brother was diagnosed with cancer. As she started to care for him her parents moved in - and then Sweeney was diagnosed with cervical cancer. It’s a sad memoir and yet incredibly funny and insightful. It shows how laughter can get us through even the most difficult of times.

Beyond Good and Evil by Friedrich Nietzsche
I first read Nietzsche in high school but didn’t try again until a few years ago. As a critique of society Beyond Good and Evil is still relevant but it’s Nietzsche’s development of the “will to power” I find interesting. It’s often interpreted as violent (or fascistic) but that wasn’t what Nietzsche meant; rather it’s about overcoming individual weakness, explaining the motivations of individuals and societies and their actions. It’s one of the most thought-provoking books I’ve read and has influenced my writing many times.

The Metamorphosis by Franz Kafka
I first read Kafka at about the same time as Nietzsche and I loved the absurdity of Metamorphosis. The idea of waking up one day as a giant insect makes the story so surreal but also very human. Kafka is less interested in the science of the transformation than in how Gregor tries to adjust to his new life. In the end it’s a very sad, tragic story, and yet darkly funny. Which makes its critique of society and our loss of humanity all the more poignant.

Childhood’s End by Arthur C. Clarke
Childhood’s End was one of the first SF books I read. It’s about an alien race that suddenly appears on Earth, promising to help humans reach their full potential; and yet reaching that potential means losing everything that makes us who we are. Clarke uses the story to explore the idea of utopia and what the loss of inspiration means for society. The depth of ideas in the novel is staggering and it leaves you both a little wiser and sadder for having read it.

The Handmaid’s Tale by Margaret Atwood
I didn’t like The Handmaid’s Tale the first time I read it; I was too young but I was stunned when I reread it. It’s a moral fable, a warning against the dangers of totalitarianism, and it has a feel of history to it that makes it all the more troubling. Set in an America where women are property and the Handmaids’ only role is to have children, Handmaid is eerie when you think about the role of women in some Islamic countries. Atwood’s other novel Oryx & Crake is almost as powerful.

Animal Farm by George Orwell
It’s hard to decide which is the better novel between Animal Farm and1984 but Animal Farm, with its complete disdain of power and those who abuse it, has always left more of an impact on me. As a novel critiquing social and political power it’s unparalleled, but also in the way it continues to raise concerns about the way we exploit animals and their conditions. In the end it’s a pessimistic novel but it’s ironic as well that by turning Stalin and Trotsky into animals, Orwell actually succeeds in making them more human.

The Old Man and the Sea by Ernest Hemingway
Of all of Hemingway’s works it’s The Old Man and the Sea that I’ve always related to the most. It’s exquisitely written and such a simple idea, a battle of wills between an old man and a marlin… yet it’s so much more than that. It represents the maturity of Hemingway and his writing; how rather than have Sargasso return victorious as a young Hemingway might have written, instead he returns with no more than a skeleton. It’s a lesson about life and courage and I’ve learned more about writing from Hemingway than any writer.

The Left Hand of Darkness by Ursula K. Le Guin
Like Childhood, The Left Hand of Darkness was one of the first SF books I read. The story revolves around Genly as he tries to convince the inhabitants of Winter to join the Ekumen, but it’s really about gender and friendship. The Gethenians are hermaphroditic and the friendship between Genly and Estraven forms the heart of the novel. Darkness was one of the first SF novels to create a world convincingly, with believable characters. It influenced much of my early writing and still does today.

Stranger in a Strange Land by Robert A. Heinlein
Stranger had a huge impact in the 1960s, introducing “grok” to the English language. It follows Mike Smith, who is raised by Martians after a failed mission to Mars. When he returns to Earth and learns about humans, Mike begins to spread his Martian philosophy, forming his own church, causing others to begin to see him as dangerous. Stranger is a brilliant idea-driven novel and one of the few SF novels that’s genuinely literate; reading it is like getting a high of ideas and the scope of the novel is breathtaking. It’s the kind of novel I’d love to write one day.

The Once and Future King by T.H. White
I’ve always enjoyed old myths and my favourite myth is the legend of King Arthur. When I first read White’s version what struck me about it was the tone; it starts playfully but by the end it’s mirthless. Yet that’s what makes it so strong. White uses the legend as an allegory for World War II, filling it with the realities of war and an examination of communism and socialism. It’s as much about human nature as chivalry, Arthur struggling to find a philosophy that fits his (and our) world. It’s a sad, beautiful novel, one I reread regularly.

I have some news. No, unfortunately I haven’t found an agent yet (although hopefully soon!); I’ve decided to start a second blog. I’ve spent the last few weeks setting it up, so feel free to have a look and let me know what you think.

It’s called Modern Classics and came about when I decided to move the book reviews from my blog; they don’t really go with the rest of my content, so the new blog collects them all in one place. I still plan to talk about books on this blog as well; I just haven’t had much to post about recently and I think separating the content will help both blogs in the end.

So to celebrate I thought I’d do a couple of posts about some of the books that have changed my life. This first part looks at the books that changed me as I grew up; the second part will be the books that have shaped my ideas about philosophy and life. I’ll post the second part in a couple of days so it won’t be too long to wait. I wonder how many you’ve read?

The Diary of a Young Girl by Anne Frank
I first read Anne Frank’s diary in high school and it’s stayed with me ever since. It’s one of the most haunting accounts of the Holocaust I’ve experienced and what still strikes me about it is how mature a writer Anne was; she made you feel like you were in the warehouse with her, and her family felt like your family… that’s why her loss feels so devastating to anyone who’s read it.

The Lion, the Witch and the Wardrobe by CS Lewis
I had all of the Narnia books as a child but Wardrobe was my favourite; I must have read it at least 50 times. It was one of the first books that brought my imagination to life, of Narnia and other worlds… in many ways it was the first book that made me want to write. It made me dream and that’s something I’d love to do for someone else one day.

The Velveteen Rabbit by Margery Williams
The Velveteen Rabbit was my favourite book as a child; one of my teachers recommended it to me and I still remember the feelings of sadness and loss that ran throughout the story… it was beautiful and unlike anything I had read, the perfect fairy tale. I still have my original copy; I plan to pass it on one day.

Frankenstein by Mary Wollstonecraft Shelley
I read Shelley’s novel as a teenager and admire it even more now. As a work of science fiction it’s virtually flawless and still one of the most unsettling novels I’ve read. Its examination of the ethics of creating life has influenced me many times in my own writing. I always found the monster rather pitiful… with the developments in genetic engineering, it’s still very important today.

The Adventures of Sherlock Holmes by Arthur Conan Doyle
The Holmes series has been a favourite since high school; I enjoy the novels but it’s the stories I like best. They’re so well crafted (particularly The Adventure of the Speckled Band) and rarely feature superfluous details; I learnt a lot about structuring short fiction from Doyle. The character of London from the 1890s has always stayed with me as well; like looking through a window at another world.

The Children of Men by PD James
I’ve read a few of PD James’s books but The Children of Men is unlike anything James has written; a dystopian novel centring on mass infertility… yet it has the depth and characterisation of any of her works. The detail in James’s world is unsettling, but in Julian there’s a sense of hope as well… it’s easily one of the most thought-provoking novels I’ve read, and the kind of novel I’d love to write.

Blood Music by Greg Bear
I read Blood Music when I was fourteen and since then have read all of Bear’s novels. It’s one of those few novels that deals with science in a realistic and accessible way, using human development as a vehicle to examine the nature of consciousness and life. It was one of the first SF novels I read and had a big impact on me; the final scenes as the last humans transcend is breathtaking.

Earth Abides by George R. Stewart
Stewart’s novel was published in 1949 and is one of the most haunting novels I’ve read. It follows what happens after the fall of society, what knowledge survives as life tries to go on; it’s really a lament for humanity, a warning against excess. It’s just as relevant today as when it was first published.

On Writing by Stephen King
On Writing is Stephen King’s memoir and guide to the craft. King covers everything about the process; from brainstorming and developing ideas, to plotting and characterisation, to finding an agent and accepting rejection. For writers it’s a priceless resource; I’ve learnt more about writing (and editing) from this one book than from any other I’ve read.

The Road by Cormac McCarthy
The Road is one of the most difficult novels I have read but it’s also one of the most important novels of the last 30 years. McCarthy’s prose is so stark, so beautiful, it touches your heart; the characterisations so poignant that they come to life even though you don’t know their names. I challenge anyone to read The Road and be the same; it’s devastating… one of the few works of fiction that makes you look at the world in a different way.

I’ve just been checking out an interesting project over at Audible.com. It’s an audiobook called The Chopin Manuscript and is being billed as the first-ever audio serial book. It’s written by 15 successful thriller writers; Jeffery Deaver conceived of the characters, story and wrote the first chapter, with 14 other writers including David Hewson, Lisa Scottoline and Lee Child contributing chapters and Deaver bringing it to its conclusion. It’s narrated by Alfred Molina and proved to be one of the fastest-selling audio titles of 2007.

I had heard of the book when it was first released in September but wanted to wait until all the chapters were available. Then I forgot about it until I was looking around Audible earlier. So far I’m enjoying it; I’ve just about finished Deaver’s chapter and the story is interesting, even if it does sound a little like The Da Vinci Code. Alfred Molina’s narration is excellent as well.

What’s interesting about the project is seeing so many writers not just embracing audiobooks but using them as a medium. So far there’s no printed version of The Chopin Manuscript and it feels very visual compared to other audiobooks. I’ve grown to like audiobooks over the last few years… I’m a fast reader but I enjoy listening to books as well and they’ve been very useful while I’ve been having trouble sleeping.

A lot of people don’t like audiobooks. I can understand that; they think it takes away from the reading experience, from the conversation between author and reader. Of those people, a number are very dismissive of listeners; I’ve offered audiobooks to people who haven’t been able to find the printed version, only to have it refused as it’s not “real reading”… I have a problem with that. I agree that audiobooks are not the same experience but to say they’re a lesser experience bugs me. What you get out of them is different, yes, but they both have value.

To me reading isn’t about interpreting words visually as much as understanding language. If someone’s telling a story then it doesn’t matter if I’m reading the words off the page or hearing them inside my head, that’s still reading. It provides a different experience, an auditory experience, but I’m still getting the same story. For certain books it can actually be an advantage, particularly if it’s a book that’s difficult to read. And if you think about it, listening to a story long predates the written word. When we’re listening to an audiobook we’re really tapping into our ancestors sitting by the campfire, listening to a storyteller weave his magic.

The main disadvantage with audiobooks is that the feeling can be quite different. I don’t know if you’ve listened to a book you’ve read previously but it feels different. The reason is because the narrator is interpreting the story rather than you; he or she places the emphasis on certain words differently than you might, so it’s never exactly the same. And sometimes dialogue which sounds right on the page doesn’t seem believable when read aloud. That’s why personally I’ll always prefer the printed page; I just like the feel and smell of paper, hearing the words in my own voice. But that doesn’t mean that I think audiobooks aren’t the same, just that I get something different from them. Usually the kind of audiobooks I listen to are classics or thrillers, which are more visual anyway, and I listen to quite a few short stories as well. I listen to them the same way I’d read normal books: on my own, unwinding with a good story.

If you’re interested in audiobooks, they can be a bit pricey, but Audible is great; they give you discounts and the subscription works out to a half-price book each month. They’ve also just been bought by Amazon so there’s a chance the prices might drop. And there’s Lit2Go as well, a great service on iTunes. It provides free audiobooks for download and the narration is excellent. You don’t need an iPod, just iTunes, and it’s well worth checking out.

What do you think of audiobooks, though? Do you listen to them? Is listening really the same as reading or does it make the experience lesser? Would you listen to The Chopin Manuscript or other audio-only titles? Maybe you could try the sample over at Audible and let me know what you think.

This is just a quick post to let my blog friends know that I’m still here and I’m sorry I haven’t been around your blogs much lately. I’ve been flat out this past week and haven’t had as much free time as I’d planned. I’m looking forward to catching up with your blogs tomorrow.

I’ve got back into my writing again, which is the main reason I’ve been busy. I haven’t written much for the last couple of months and I hate it when I’m not writing; I feel restless and start turning things over in my mind, and it’s not a good state. A writer needs to read and write regularly to keep the flow, and I just feel better when I’m writing every day.

I had been trying to do a final rewrite of Shards, but I’m still not that happy with it and I decided I’m going to put that aside until the New Year. So I’ve been planning a new story instead which I hope to have finished by Christmas, or the end of January if I take my time.

It’s called Sleepless. Basically it’s about a man who wakes up from a coma after eight years and how he adapts to his new life. As he undergoes rehabilitation, he finds he has a son who is 7 and it’s their relationship that’s the main part of the story. It’s also a love story; he remembers his relationship with the boy’s mother and it’s told in flashbacks, and it’s a sad love story - we know how it ends before it begins.

It’s more what I used to write a few years ago, and it’s that idea of waking up in a new world I find interesting. What would it be like to suddenly find yourself in a world so different to the one you knew? To know nothing about iPods and YouTube and the War on Terror? To have not seen 9/11, Bali or London? What would we think of our world? I think that’s very interesting territory.

It’s still an early draft and there’s more to it than that, but it’s nice getting back into the flow again, seeing words on the page. It’s more what I want to be writing and that makes a big difference. The flip side is it hasn’t left me much time for blogging (and commenting) this week, but it’s always like that at the beginning. I’ll make up for it over the next couple of days (promise!).

Right now it’s 3.40 AM and I’m sleepless in Sydney, still writing away. But it’s a nice kind of sleeplessness; I know I’m getting somewhere at last and that’s the best feeling a writer can have. Like dreaming in the void.

David Brin’s Uplift series is one of the most beloved of science fiction series. The Uplift Saga is populated by an array of strange aliens, characters and worlds, set in a future universe where no species can reach full sentience without the help of a patron race.

The sequence began in 1979 with Sundiver, but it was Startide Rising which cemented Brin’s reputation as a writer. Startide was published in 1983 and won both Hugo and Nebula Awards. It was everything people wanted SF to be at that time: epic in scope, with lots of ideas, aliens, and a pace that propelled it forward.

Reading it now the most striking thing about Startide is that it hasn’t dated that much. Perhaps some of the technology doesn’t seem that different to what we have today (or especially alien), but everything in Startide Rising has a feeling of a history, a past, and that makes it work for the story. The characters also stand out. Creideki, the dolphin captain of Streaker, feels distinctly alien, while Tom Orley and Gillian’s romance is at the heart of their world. The story is very human, set in a strange universe - a level science fiction doesn’t often reach.

Startide begins with the ship Streaker, which has crashed on the world Kithrup and is being pursued by armadas of fierce alien races. Before it crashed Streaker had discovered a fleet of vessels, believed to be the remains of the famed Progenitors who began the Uplift process millennia ago. The Galactics want the location of the fleet and will stop at nothing to get it, leaving Streaker’s mix of human and dolphin crew to fend off their assaults (and a mutiny) as they try to make their escape.

I’d not read Startide previously, though I had read Sundiver, and the first thing that impressed me was how Brin goes straight into his story. He wastes no time with Streaker discovering the alien fleet, or even its crash on Kithrup; he uses this as a backdrop, while other authors might have made another novel out of it. I also liked the depictions of the aliens in the novel. The Galactics are primarily humanoid and their strangeness comes more from their rituals and culture than their physical appearance. In their own way it is the dolphins that are the true aliens; Brin describes them (their movements, battles, rescue fever) almost as another race, and their language of Trinary is unique, a haiku language which is both beautiful and sad. The overall sense I got from Startide Rising was, again, of a very human story, as much about the characters as the science… I found that refreshing compared to more contemporary space opera.

There were a couple of things I didn’t like as much. First, I didn’t think the pace was as full-on as other people have said; certainly the novel has a good pace, but there were sections where I found it dragged for 20 pages or so. Some of Streaker’s politics also weigh the story down from time to time. And for as well as Brin writes his characters, one of the more interesting characters, Dennie, is largely neglected during the novel. At times I would have like to have seen more of her point of view, rather than Toshio’s.

Still, these are fairly minor details. Startide Rising is space opera at its best and still holds up well so many years after it was first published. Highly recommended. Just don’t be put off by the fact that it’s book 2 in the series; Startide Rising is where the Uplift Saga truly begins.